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33. Example 3: Short (Snare) Long (B.Dr.)

Home > Courses > RALPH PETERSON: Jazz Drumming Demystified (Stand-Alone)

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RALPH PETERSON: Jazz Drumming Demystified (Stand-Alone)

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1. Killer Solo & Introduction

3. You Have Know Idea (Band Performance)

4. Grip & Fulcrum

5. Getting a Sound

6. Importance of Vocabulary & Mechanics

7. Rudimental Pyramid

8. Concept vs. Instinct

9. More on Rudiments

11. Three Principles of Motion

12. Philly Joe, Tony & Elvin Style

13. More Philly Joe

14. Paradiddle-diddle Inverted = Cymbal Pattern

15. A Word on Comping

16. Feathering the Bass Drum

17. Developing Style

18. Art Blakey Style

19. More Philly Joe Style

20. More Elvin Style

21. Bebopskerony (Band Performance)

22. Playing Melody

23. Developing Melody with Long/Short

24. Respect for Truth (Band Performance)

25. The Drum & Bass Connection: Shifting Gears

26. Placing the Beat

27. Playing Fast

28. Bass Player's Perspective

30. Syncopation Exercises

31. Example 1: Left Hand & High Hat Only

32. Example 2: Add the Ride Cymbal

33. Example 3: Short (Snare) Long (B.Dr.)

34. Example 4: Adding Paradiddle-diddle

35. Example 5: Playing Short Notes on Tom

36. Bringing Creativity to Practice

37. Tears I Cannot Hide (Band Performance)

39. Trio Blues with Brushes

40. The Art of Listening

41. Listening to Bebopskerony Sax Solo

42. Listening to Bebopskerony Drum Solo

43. Bebopskerony Drum Solo

44. A Conversation with the Band

45. Final Message

Return to RALPH PETERSON: Jazz Drumming Demystified (Stand-Alone)

About this Course

From Mechanics to Total Musicality - A Complete Guide

* Learn from Master Player & Teacher RALPH PETERSON
* Jam-packed 2h 20min (!) Jazz Drumming Masterclass
* Quartet Performances feat. Melissa Aldana
* 4 Play-Along Tracks & Charts + PDF Booklet
* BONUS: in-depth 50min Interview
* Take/export Private Notes + Discuss with Course Members

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