David Berkman Functional Jazz Harmony
Course

DAVID BERKMAN: Functional Jazz Harmony (Edge)

A path to understanding the deeper structure of standards for more freedom & creativity


  • * Using Functional Harmony to free up your approach to Jazz Standards
  • * How to avoid getting locked into “one-size-fits-all” chord progressions
  • * How to use Functional Harmony to personalize the chord progressions of standards
  • * Ways to find the deep underlying structure of standards for greater improvisatory freedom on these songs
  • * Recognizing harmonic processes that are available to create more subtlety in your reharmonizations and compositions
  • * Diminished approaches and non-functional harmony to increase the scope of your reharmonization options

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1 Lesson

PLEASE NOTE: this is the recording of a LIVE STREAMING webinar.
It is NOT “studio production quality” nor does it claim to be.
Streaming LIVE video is VERY resource-intensive.
And a RECORDING of it is bound to be “less than perfect.”

So, at times the video turns “grainy” for a moment and then “recovers again” shortly thereafter.
Same with the sound. It sure is not perfect.

ALL THAT SAID: the golden nuggets are MANY.

And… IN EXCHANGE the live webinar is an INTERACTIVE experience, where:

  • YOU can get your questions answered from an artist of this caliber
  • you have the opportunity to be live on screen yourself (via webcam, a la SKYPE)
    & get direct 1-on-1 feedback from the best of the best
  • david247 says:

    Hi David –

    I *understand* a good portion of your lesson, but could use some a good heap of application, as you emphasize in your book.

    I’ve been guilty of being a by the book player at jams in the past, for sure. My question is about the parameters say, in a trio situation (I’m a guitarist).

    My attitude is to generally to stay out of the way, and provide a rhythmic cushion for the soloist, without changing the overall harmony too much.

    I’ll add some half step approach chords, extension choices, chord quality changes (maj/min to dominant), maybe tritone subs. Am I on the right path, or should I open my thinking further in a jam session scenario? How much is too much?

    Thanks,
    Dave Lockwood